IMPRESSIONISTIC FEATURES OF THE LYRICISM IN THE ART CULTURE OF RUSSIA OF THE LATE 19TH AND EARLY 20TH CENTURIES
UDC index:
82.02
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Information about authors: Grushitskaya Marina Aleksanrovna, Postgraduate, Novosibirsk State Pedagogical University (Novosibirsk, Russian Federation). E-mail: bambuk1331@yandex.ru
Annotation: Impressionism in Russia failed to develop as an independent trend, but some of its signs can be seen in various genres of arts, including poetry. This article describes the principal characteristics of suggestive lyric poetry and states its impressionist features, thus profoundly characterizing the specific character of Russian impressionism in the late 19th – early 20th century. In the late 19th – early 20th century, the Russian lyric poetry developed various trends, like acmeism, futurism, and symbolism, on the basis of which the author of the article distinguishes suggestive lyric poetry, where impressionist trends are the most pronounced ones, because suggestive lyric poetry is based more on associations and supplementary semantic and intonation nuances than on logical connections. V. Solovyev was the first to introduce the notion of suggestiveness in Russian literature. This article describes the principal characteristics of suggestive lyric poetry and highlights its impressionist features, thus profoundly characterizing the specific character of Russian impressionism in the late 19th – early 20th century. It also reveals such characteristics as: use of a wide range of diverse cultural contexts, special attitude to words in a literary work, compulsory expectations of the background action; the content should be guessed but not be rendered discursively; attention is focused on communication, where the author’s personal point of view takes the leading position, though at the same time it is important to intensify the readers’ perception, which is taken into account in the early stage of the poem creation, thus becoming a structural element of this poem. Finally, the article highlights the significance of the interrelations between suggestive lyric poetry and impressionism, which is an obvious characteristic feature and a natural element of the Russian social and cultural space in the late 19th – early 20th century.
Keywords: impressionism, suggestive character, suggestive lyric poetry, Silver age, Russian culture.
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Grushitskaya Marina Aleksanrovna, Postgraduate, Novosibirsk State Pedagogical University (Novosibirsk, Russian Federation). E-mail: bambuk1331@yandex.ru
Annotation: Impressionism in Russia failed to develop as an independent trend, but some of its signs can be seen in various genres of arts, including poetry. This article describes the principal characteristics of suggestive lyric poetry and states its impressionist features, thus profoundly characterizing the specific character of Russian impressionism in the late 19th – early 20th century. In the late 19th – early 20th century, the Russian lyric poetry developed various trends, like acmeism, futurism, and symbolism, on the basis of which the author of the article distinguishes suggestive lyric poetry, where impressionist trends are the most pronounced ones, because suggestive lyric poetry is based more on associations and supplementary semantic and intonation nuances than on logical connections. V. Solovyev was the first to introduce the notion of suggestiveness in Russian literature. This article describes the principal characteristics of suggestive lyric poetry and highlights its impressionist features, thus profoundly characterizing the specific character of Russian impressionism in the late 19th – early 20th century. It also reveals such characteristics as: use of a wide range of diverse cultural contexts, special attitude to words in a literary work, compulsory expectations of the background action; the content should be guessed but not be rendered discursively; attention is focused on communication, where the author’s personal point of view takes the leading position, though at the same time it is important to intensify the readers’ perception, which is taken into account in the early stage of the poem creation, thus becoming a structural element of this poem. Finally, the article highlights the significance of the interrelations between suggestive lyric poetry and impressionism, which is an obvious characteristic feature and a natural element of the Russian social and cultural space in the late 19th – early 20th century.
Keywords: impressionism, suggestive character, suggestive lyric poetry, Silver age, Russian culture.
