THE PECULIARITIES OF THE NATIONAL DANCE CULTURE OF LITHUANIA AND ITS PRESERVATION AT THE PRESENT STAGE
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УДК 398
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Information about authors: Paliley Aleksandr Vasilyevich, PhD in Pedagogy, Associate Professor, Professor at the Department of Choreographic Art, Dean of the Faculty of Choreography, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: palileyav@mail.ru Bondarenko Svetlana Grigoryevna, Associate Professor, Department of National Dance, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: reingardtvi@mail.ru Wagner Tatyana Vladimirovna, Head of Department of Amateur Art Creativity Organization, Novosibirsk State Regional House of Folk Art (Novosibirsk, Russian Federation). E-mail: vagner.dnt@mail.ru
Annotation: The article is about a problem study of development features of national dancing cultures, their conservation in the modern stage in case of Lithuanian folk dancing culture. Research of orchestics of the Lithuanian national culture in a culturological aspect as one of major constituents of traditional culture acquires the special meaningfulness. Developing the styles, forms and directions of choreographic art in the 21st century in modern artistic activity causes interest outside not only ballet-masters and teachers but also art critics, ballet scholars, and culturologists that educed the negative receptions of drawing on the results of dancing work in spiritual reorganization of the world. The scientific going near the decision of these problems will allow to find certain, positive ways of their embodiment in modern sociocultural space. The artistic culture of dancing work of the Lithuanian ethnic group of Siberian region largely stipulates the task of conservation their cultural heritage. The modern choreographic culture of Siberian region is characterized by a leak of processes of return to the roots, traditions: revivals of authentic folklore. The traditional dancing culture of people and ethnic groups of Siberian region occupies the special place not only by virtue of riches of her multinational colour but also as a source of valuable spiritual traditions for further development of society. The guarantor of conservation and development is study, protection and development of folk dance of indigenous peoples and ethnic groups of Siberian region.
Keywords: dance, tradition, national dance culture, creativity, artistic diversity, forms and types, ethnic groups
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Paliley Aleksandr Vasilyevich, PhD in Pedagogy, Associate Professor, Professor at the Department of Choreographic Art, Dean of the Faculty of Choreography, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: palileyav@mail.ru Bondarenko Svetlana Grigoryevna, Associate Professor, Department of National Dance, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: reingardtvi@mail.ru Wagner Tatyana Vladimirovna, Head of Department of Amateur Art Creativity Organization, Novosibirsk State Regional House of Folk Art (Novosibirsk, Russian Federation). E-mail: vagner.dnt@mail.ru
Annotation: The article is about a problem study of development features of national dancing cultures, their conservation in the modern stage in case of Lithuanian folk dancing culture. Research of orchestics of the Lithuanian national culture in a culturological aspect as one of major constituents of traditional culture acquires the special meaningfulness. Developing the styles, forms and directions of choreographic art in the 21st century in modern artistic activity causes interest outside not only ballet-masters and teachers but also art critics, ballet scholars, and culturologists that educed the negative receptions of drawing on the results of dancing work in spiritual reorganization of the world. The scientific going near the decision of these problems will allow to find certain, positive ways of their embodiment in modern sociocultural space. The artistic culture of dancing work of the Lithuanian ethnic group of Siberian region largely stipulates the task of conservation their cultural heritage. The modern choreographic culture of Siberian region is characterized by a leak of processes of return to the roots, traditions: revivals of authentic folklore. The traditional dancing culture of people and ethnic groups of Siberian region occupies the special place not only by virtue of riches of her multinational colour but also as a source of valuable spiritual traditions for further development of society. The guarantor of conservation and development is study, protection and development of folk dance of indigenous peoples and ethnic groups of Siberian region.
Keywords: dance, tradition, national dance culture, creativity, artistic diversity, forms and types, ethnic groups
