THE METHODS OF ORGANIZATION OF SENSE SPACE IN TERMS OF THE PLASTIC PERFORMANCE “HOME” BY DANCE THEATRE “SINESTETICA”: THE VARIABILITY PROBLEM OF PERCEPTION
UDC index:
792.02 (792.028.3)
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Kaleganova Tatyana Aleksandrovna, Student, Novosibirsk State University (Novosibirsk, Russian Federation). E-mail: tanya_kaleganova@bk.ru
Annotation: In the light of the increased attention to the contemporary art in common and to the avant-garde theatre in particular, it is actual to study a theme covering the plastic theatre and methods which are used during the process of performance making in this genre. The consideration of the phenomena of the plastic theatre, its features and peculiarities and the short excursus to the history of this genre make it possible to trace its formation and tendencies of development, which have influenced the “Sinestetica” dance theatre. In this article in terms of plastic performance “Home” by dance theatre “Sinestetica,” the various ways of actors’ influence upon spectators are considered. The focus of attention is concentrated on the author’s method of the performance and organization of the sense space by director of the dance theatre Andrey Korolenko. It is shown, that spectators’ reception of the image, the director of the theatre uses a method has an influence not on the mind and logic of recipients but on their emotions and unconscious. This method, appealed to the spectators, letting them the multiplicity of images. Its contents in its intensions conscious breaking with a monosemantic interpretation of the images and desire of the director to give to actors and spectators an opportunity of variability of meaning making, promoting the flexible thinking. The author of the article analyses the methods and principles of sense space organization, which allow the variability of images: theatre space, light, sound and used during the performance subjects.
Keywords: plastic theatre, performance “Home,” corporeality, variability of perception, sense space.
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Kaleganova Tatyana Aleksandrovna, Student, Novosibirsk State University (Novosibirsk, Russian Federation). E-mail: tanya_kaleganova@bk.ru
Annotation: In the light of the increased attention to the contemporary art in common and to the avant-garde theatre in particular, it is actual to study a theme covering the plastic theatre and methods which are used during the process of performance making in this genre. The consideration of the phenomena of the plastic theatre, its features and peculiarities and the short excursus to the history of this genre make it possible to trace its formation and tendencies of development, which have influenced the “Sinestetica” dance theatre. In this article in terms of plastic performance “Home” by dance theatre “Sinestetica,” the various ways of actors’ influence upon spectators are considered. The focus of attention is concentrated on the author’s method of the performance and organization of the sense space by director of the dance theatre Andrey Korolenko. It is shown, that spectators’ reception of the image, the director of the theatre uses a method has an influence not on the mind and logic of recipients but on their emotions and unconscious. This method, appealed to the spectators, letting them the multiplicity of images. Its contents in its intensions conscious breaking with a monosemantic interpretation of the images and desire of the director to give to actors and spectators an opportunity of variability of meaning making, promoting the flexible thinking. The author of the article analyses the methods and principles of sense space organization, which allow the variability of images: theatre space, light, sound and used during the performance subjects.
Keywords: plastic theatre, performance “Home,” corporeality, variability of perception, sense space.
