SOVIET DRAMATURGY IS THE MAIN REPERTOIRE LINE OF KEMEROVO DRAMA DURING THE GREAT PATRIOTIC WAR
UDC index:
792.028
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Information about authors: Berseneva Elena Vitalyevna, Senior Instructor, Theatre Art Department, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: Aneegma@mail.ru
Annotation: The special features of the repertoire policy of the Lunacharsky Kemerovo Drama Theatre in the period of Great Patriotic War are designated in the article. The basic repertoire, the volume of Soviet dramaturgy, which was shown to Kemerovo spectator during 1941-1945 is revealed. The conditions of the theater acting are examined, the producer experiments of V.V. Gardenin, A.K. Bekkarevich, V.A. Shabanov, A.S. Safonov directed to the formation of value installations in Kemerovo spectator are analyzed in this article. The special feature of this period is the theater mobility, which made it possible instantly to respond to contemporary dramaturgy, originated in the military time (classics of Soviet dramaturgy), that contributed to the formation of the value patriotic orientation of the Soviet audience (“Fellow from our city” (1941), “Russian people” (1942), “Wait me” (1943), “It will be so” (1944) K. Simonov, “Invasion” (1942) L. Leonov, “For those, who are in the sea!” (1945) B. Lavrenev and others). The searches for stage truth and the opening of deep characters disturbed not only directors but young actors also with enormous desire of artists to contribute to development and strengthening the mutual creative connections with producers L. Viven, N. Simonov, Y. Yuriev, D. Mechik, P. Coopers and other actors and producers. The meaningful aspect repertoire was called not only ideologically inspire spectator, support his combat spirit but form the cultural life of region too.
Keywords: dramaturgy of the period of the Great Patriotic War, Soviet dramaturgy, Kemerovo Drama Theatre
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Berseneva Elena Vitalyevna, Senior Instructor, Theatre Art Department, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: Aneegma@mail.ru
Annotation: The special features of the repertoire policy of the Lunacharsky Kemerovo Drama Theatre in the period of Great Patriotic War are designated in the article. The basic repertoire, the volume of Soviet dramaturgy, which was shown to Kemerovo spectator during 1941-1945 is revealed. The conditions of the theater acting are examined, the producer experiments of V.V. Gardenin, A.K. Bekkarevich, V.A. Shabanov, A.S. Safonov directed to the formation of value installations in Kemerovo spectator are analyzed in this article. The special feature of this period is the theater mobility, which made it possible instantly to respond to contemporary dramaturgy, originated in the military time (classics of Soviet dramaturgy), that contributed to the formation of the value patriotic orientation of the Soviet audience (“Fellow from our city” (1941), “Russian people” (1942), “Wait me” (1943), “It will be so” (1944) K. Simonov, “Invasion” (1942) L. Leonov, “For those, who are in the sea!” (1945) B. Lavrenev and others). The searches for stage truth and the opening of deep characters disturbed not only directors but young actors also with enormous desire of artists to contribute to development and strengthening the mutual creative connections with producers L. Viven, N. Simonov, Y. Yuriev, D. Mechik, P. Coopers and other actors and producers. The meaningful aspect repertoire was called not only ideologically inspire spectator, support his combat spirit but form the cultural life of region too.
Keywords: dramaturgy of the period of the Great Patriotic War, Soviet dramaturgy, Kemerovo Drama Theatre
