MUSICALITY IN THE STRUCTURE OF MUSICAL GIFTEDNESS: SYNESTHETIC ASPECT
UDC index:
781.01
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Information about authors: Loseva Svetlana Nikolaevna, PhD in Psychology, Associate Professor of Department of Music Education, Irkutsk State University (Irkutsk, Russian Federation). E-mail: Loseva@bk.ru
Annotation: Consideration of the problem is based on the analysis of diverse data on the description of the historical aspect of the development of scientific knowledge of musicality as a structural component of musical endowments and the concept of synaesthesia. In the course of research work, an analysis is given of various approaches to the definition of the term musicality, in which the most significant tendencies in the formation of a holistic view of the various semantic dimensions of a given phenomenon are determined. In the article, various approaches are considered in the study of the structure of musical endowments and its components. Musicality, as a fundamental and system-forming component, is analyzed in various interpretations of scientific research. When considering the synesthetic mechanism in musicality, the inter-sensory form of the manifestation of musicality in the musical-artistic consciousness is emphasized. The historical aspect of the phenomenon of synaesthesia is being developed with the construction of a color-sound correspondence: the establishment of color-musical parallels in Newton’s research in determining the correspondence between the seven colors of the spectrum and the seven sounds of the scale based on the physical (wave) nature of color and sound, the psychological nature of N. Rimsky-Korsakov’s “color hearing,” the phenomenon of synaesthesia in B.M. Galeev’s study as the ability of the psyche to correlate the images of different modalities and associations. There is a close relationship between musicality and synesthesia.
Keywords: synesthetic, musical giftedness, musicality.
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Loseva Svetlana Nikolaevna, PhD in Psychology, Associate Professor of Department of Music Education, Irkutsk State University (Irkutsk, Russian Federation). E-mail: Loseva@bk.ru
Annotation: Consideration of the problem is based on the analysis of diverse data on the description of the historical aspect of the development of scientific knowledge of musicality as a structural component of musical endowments and the concept of synaesthesia. In the course of research work, an analysis is given of various approaches to the definition of the term musicality, in which the most significant tendencies in the formation of a holistic view of the various semantic dimensions of a given phenomenon are determined. In the article, various approaches are considered in the study of the structure of musical endowments and its components. Musicality, as a fundamental and system-forming component, is analyzed in various interpretations of scientific research. When considering the synesthetic mechanism in musicality, the inter-sensory form of the manifestation of musicality in the musical-artistic consciousness is emphasized. The historical aspect of the phenomenon of synaesthesia is being developed with the construction of a color-sound correspondence: the establishment of color-musical parallels in Newton’s research in determining the correspondence between the seven colors of the spectrum and the seven sounds of the scale based on the physical (wave) nature of color and sound, the psychological nature of N. Rimsky-Korsakov’s “color hearing,” the phenomenon of synaesthesia in B.M. Galeev’s study as the ability of the psyche to correlate the images of different modalities and associations. There is a close relationship between musicality and synesthesia.
Keywords: synesthetic, musical giftedness, musicality.
