THE INFLUENCE OF CULTURAL ROTATION ON THE DEVELOPMENT OF MUSICAL LIFE IN KEMEROVO REGION IN THE YEARS OF THE GREAT PATRIOTIC WAR
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УДК 78.03(470-571)
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Information about authors: Pomortseva Nina Vladimirovna, PhD in Art History, Department Chair of Musicology and Applied Musical Arts, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: musiclogist@ mail.ru
Annotation: One of the actual problems of modern music Ethnography is the study of factors of formation and development of musical life in provincial regions of our vast country. This article is devoted to the study of cultural factors in the development of musical life in rotation in Kemerovo region during the Great Patriotic War. This period for many regions of our country has become a key point in the stormy development of cultural construction of provincial regions, reducing the existing distance between the province and the Center. No exception would be Kemerovo region formed in 1943, which housed a large number of evacuees musicians-teachers, performers and creative groups. During this period, the research could reveal signs of cultural rotation that emerged in the musical life of Kemerovo region. First of all, there was the introduction of the musical traditions of central regions of the country, affecting the formation of musical infrastructure. Secondly, clearly traceable signs of rotation in the form of enriching the repertoire of musical region during the tour visiting musicians, creative teams and concert events of evacuated intelligentsia. The undeniable importance of personnel rotation, manifested in the large influx of professional musicians, have revitalized the professionalization of musical art in the region and the creation of the first impact on professional education institution training for musicians. Therefore, the years of the Great Patriotic War became a powerful impetus for the development of musical capacity of the industrial region: nurturing the high level audience, forming the high performing culture, the establishment of cultural institutions such as the Concert Bureau (Kemerovo State Philharmonic of Kuzbass named after B.T. Shtokolov) and Theatre of Musical Comedy (now Musical Theatre named after A. Bobrov); as well as the formation of professional base for education of young specialists in the field of musical art.
Keywords: Kemerovo region, cultural rotation, musical life, musical infrastructure, musical art
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Pomortseva Nina Vladimirovna, PhD in Art History, Department Chair of Musicology and Applied Musical Arts, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: musiclogist@ mail.ru
Annotation: One of the actual problems of modern music Ethnography is the study of factors of formation and development of musical life in provincial regions of our vast country. This article is devoted to the study of cultural factors in the development of musical life in rotation in Kemerovo region during the Great Patriotic War. This period for many regions of our country has become a key point in the stormy development of cultural construction of provincial regions, reducing the existing distance between the province and the Center. No exception would be Kemerovo region formed in 1943, which housed a large number of evacuees musicians-teachers, performers and creative groups. During this period, the research could reveal signs of cultural rotation that emerged in the musical life of Kemerovo region. First of all, there was the introduction of the musical traditions of central regions of the country, affecting the formation of musical infrastructure. Secondly, clearly traceable signs of rotation in the form of enriching the repertoire of musical region during the tour visiting musicians, creative teams and concert events of evacuated intelligentsia. The undeniable importance of personnel rotation, manifested in the large influx of professional musicians, have revitalized the professionalization of musical art in the region and the creation of the first impact on professional education institution training for musicians. Therefore, the years of the Great Patriotic War became a powerful impetus for the development of musical capacity of the industrial region: nurturing the high level audience, forming the high performing culture, the establishment of cultural institutions such as the Concert Bureau (Kemerovo State Philharmonic of Kuzbass named after B.T. Shtokolov) and Theatre of Musical Comedy (now Musical Theatre named after A. Bobrov); as well as the formation of professional base for education of young specialists in the field of musical art.
Keywords: Kemerovo region, cultural rotation, musical life, musical infrastructure, musical art
