MODERN CHOREOGRAPHY IN DRAMA (ON THE BASE OF PERFOMANCES OF KEMEROVO A. LUNACHARSKY DRAMA THEATRE)
UDC index:
УДК 792
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Information about authors: Puzyreva Inga Anatolyevna, Department Chair of Modern and Classic Choreography, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: pi42@mail.ru Grigoriantz Tatyana Aleksandrovna, PhD in Culturology, Associate Professor, Professor of Department of Art of Theatre, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: panteevat2008@rambler.ru
Annotation: The theater is an art of changing together with transformations of human life. Theatrical reality, materialized through stage performance text are created not only by a director but also by a painter, choreographer, plastic and vocal teachers. Stage text of modern drama performance is most commonly alloy elements of various kinds of arts: painting, sculpture, music, stage speech, dancing art, pantomime, free plastic, vocal, instrumental art. One of the important components of modern drama is a dance and different variants of plastic improvisations. Choreographic scenes and fragments have specific functions in the implementation of the author’s directorial ideas. They create a certain atmosphere of a scenic episode of drama performance. Some of them define individual characteristics and their relationship to the play events. There are dances, linking the past and present performance. Some dancing episodes can transform the space of drama performance. A choreographic component intensifies original points of emotional tension of the certain performance scene or its fragment. Different modern choreography trends and its varied vocabulary are rather actual for nowadays dramatic performance. The dance episodes using the varied elements of modern choreography are rather expressive and “convenient” in staging work for producers and choreographers. Some modern dance has some characteristics which brings it together with dramatic acting. Relative freedom from harsh choreographic canons and strict rules and ability to improvise are important points of contact of the dramatic way of being and dance. This success proves the performances of Kemerovo Regional Drama Theater: comedies “Boing-Boing”, “The Smart Wedding”, and drama-parable “The Story of One Soul”.
Keywords: drama performance, modern choreography, a dance fragment, stage text, improvisation, an art image, body plastic
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Puzyreva Inga Anatolyevna, Department Chair of Modern and Classic Choreography, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: pi42@mail.ru Grigoriantz Tatyana Aleksandrovna, PhD in Culturology, Associate Professor, Professor of Department of Art of Theatre, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: panteevat2008@rambler.ru
Annotation: The theater is an art of changing together with transformations of human life. Theatrical reality, materialized through stage performance text are created not only by a director but also by a painter, choreographer, plastic and vocal teachers. Stage text of modern drama performance is most commonly alloy elements of various kinds of arts: painting, sculpture, music, stage speech, dancing art, pantomime, free plastic, vocal, instrumental art. One of the important components of modern drama is a dance and different variants of plastic improvisations. Choreographic scenes and fragments have specific functions in the implementation of the author’s directorial ideas. They create a certain atmosphere of a scenic episode of drama performance. Some of them define individual characteristics and their relationship to the play events. There are dances, linking the past and present performance. Some dancing episodes can transform the space of drama performance. A choreographic component intensifies original points of emotional tension of the certain performance scene or its fragment. Different modern choreography trends and its varied vocabulary are rather actual for nowadays dramatic performance. The dance episodes using the varied elements of modern choreography are rather expressive and “convenient” in staging work for producers and choreographers. Some modern dance has some characteristics which brings it together with dramatic acting. Relative freedom from harsh choreographic canons and strict rules and ability to improvise are important points of contact of the dramatic way of being and dance. This success proves the performances of Kemerovo Regional Drama Theater: comedies “Boing-Boing”, “The Smart Wedding”, and drama-parable “The Story of One Soul”.
Keywords: drama performance, modern choreography, a dance fragment, stage text, improvisation, an art image, body plastic
