MODEL OF SYNESTETICITY IN STRUCTURE OF MUSICAL GIFT OF M. ČIURLIONIS
UDC index:
781.1
DOI: 10.31773/2078-1768-2019-46-55-59
Article ID in the RSCI:
Article file: Download
Information about authors: Loseva Svetlana Nikolaevna, PhD in Psychology, Associate Professor of Department of Music Education, Irkutsk State University (Irkutsk, Russian Federation). E-mail: Loseva@bk.ru Ivanova Lada Yuryevna, Sr Instructor, Department of Music Education, Irkutsk State University (Irkutsk, Russian Federation). E-mail: muzobr01@mail.ru
Annotation: The authors, for the first time, made an attempt to solve a synestic problem in structure of musical endowments of M. Čiurlionis: on the basis of development of model of integration of synesticity of mental processes of structure of musical endowments of the composer’s work presents three levels of “sounding of a picture”: timbre-phonic, compositional and thematic, and intonational-dramatic. The first timbre-phonic level of “sounding of a picture” is interconnected with a component of structure of musical endowment: creativity. It is noted that the synesticity of judgment of musical material and its interrelation with picturesque interpretation of synthesis of arts: musical and graphic is characteristic of M. Čiurlionis’ creativity. The second composite and thematic level is interconnected with an intellectual structural component of musical endowments of M. Čiurlionis. Some parallels of development of musical and picturesque creativity of M. Čiurlionis in his pieces of music and pictures are defined: plasticity of forms, suite or cyclicity, picturesque or landscape, variation, serial or serial technique, polyphony of thinking, rhythm and development dynamics. The third intonational and drama level is interconnected with structural components of musical endowments: musicality and spirituality. For interrelation of intonational and drama level and components of structure of musical endowments (spirituality and musicality) in the course of integration of synesticity of psychological process and paramount synesticity of associative origin are valuable (more often all this is an object of research of art critics).
Keywords: M. Čiurlionis, musical gift, synesticity, musicality, spirituality, creativity, intelligence.
DOI: 10.31773/2078-1768-2019-46-55-59
Article ID in the RSCI:
Article file: Download
Information about authors: Loseva Svetlana Nikolaevna, PhD in Psychology, Associate Professor of Department of Music Education, Irkutsk State University (Irkutsk, Russian Federation). E-mail: Loseva@bk.ru Ivanova Lada Yuryevna, Sr Instructor, Department of Music Education, Irkutsk State University (Irkutsk, Russian Federation). E-mail: muzobr01@mail.ru
Annotation: The authors, for the first time, made an attempt to solve a synestic problem in structure of musical endowments of M. Čiurlionis: on the basis of development of model of integration of synesticity of mental processes of structure of musical endowments of the composer’s work presents three levels of “sounding of a picture”: timbre-phonic, compositional and thematic, and intonational-dramatic. The first timbre-phonic level of “sounding of a picture” is interconnected with a component of structure of musical endowment: creativity. It is noted that the synesticity of judgment of musical material and its interrelation with picturesque interpretation of synthesis of arts: musical and graphic is characteristic of M. Čiurlionis’ creativity. The second composite and thematic level is interconnected with an intellectual structural component of musical endowments of M. Čiurlionis. Some parallels of development of musical and picturesque creativity of M. Čiurlionis in his pieces of music and pictures are defined: plasticity of forms, suite or cyclicity, picturesque or landscape, variation, serial or serial technique, polyphony of thinking, rhythm and development dynamics. The third intonational and drama level is interconnected with structural components of musical endowments: musicality and spirituality. For interrelation of intonational and drama level and components of structure of musical endowments (spirituality and musicality) in the course of integration of synesticity of psychological process and paramount synesticity of associative origin are valuable (more often all this is an object of research of art critics).
Keywords: M. Čiurlionis, musical gift, synesticity, musicality, spirituality, creativity, intelligence.
