THE ROLE OF MUSICAL ANALYSIS IN THE TECHNOLOGY DISCOVERY OF ART IN A MUSICAL IMAGE IN WORKS FOR PLAYING THE BAYAN AND ACCORDION
UDC index:
786/789
DOI: 10.31773/2078-1768-2019-47-98-104.
Article ID in the RSCI:
Article file: Download
Information about authors: Knyazev Anatoliy Mikhaylovich, Associate Professor, Associate Professor of Department of Musical and Instrumental Performance, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: kniazev1951@mail.ru Knyazeva Nadezhda Andreevna, Associate Professor of Department of Musical and Instrumental Performance, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: kniazev1951@ mail.ru
Annotation: One of the issues working with a musical piece is a convincing discovery of art in an image of a studied work. Students’ knowledge of the intonation components of the musical language, characteristics of their interaction, style and form, allow us to reveal literally and fully the art in a content of musical works. During the analysis and synthesis of theoretical sources and their own practical work experience, it was concluded that integrity and style of the analysis should be in the working process with a musical piece. This article provides a comparative description of the style and holistic types of analysis thinking about a musical work, emphasizes the dialectical unity of a content in the style and holistic analysis, suggests various levels discovering the content of a musical work. Despite the fact that in their tasks, these two types of analysis are opposite to each other, in the subject matter of the study, the relationship between the holistic and stylistic types of analysis are complementary. The criterion of paramount importance is the deepening the scientific aesthetic knowledge of the whole diversity of historically specific phenomena of musical art and their importance in training the performing musician. The levels in the disclosure of the content of a musical work are both, technological principles and conceptual analysis of the musical image, which is shown in case of performance interpretation of the play “Snowdrop” from the cycle “Seasons” by P.I. Tchaikovsky. An analytical work in the process of studying the musical piece will allow the performer to understand the depth of musical images and successfully make the necessary adjustments to the technology of the musical and performing process when playing the bayan and accordion. The proposed approaches to understanding the artistic image of a musical work through the analysis of its features will contribute to successful transference of the content of a musical work to audience by the performer.
Keywords: musical image, style, integrity, analysis, comparison, technology, interpretation, performance, musical art.
DOI: 10.31773/2078-1768-2019-47-98-104.
Article ID in the RSCI:
Article file: Download
Information about authors: Knyazev Anatoliy Mikhaylovich, Associate Professor, Associate Professor of Department of Musical and Instrumental Performance, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: kniazev1951@mail.ru Knyazeva Nadezhda Andreevna, Associate Professor of Department of Musical and Instrumental Performance, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: kniazev1951@ mail.ru
Annotation: One of the issues working with a musical piece is a convincing discovery of art in an image of a studied work. Students’ knowledge of the intonation components of the musical language, characteristics of their interaction, style and form, allow us to reveal literally and fully the art in a content of musical works. During the analysis and synthesis of theoretical sources and their own practical work experience, it was concluded that integrity and style of the analysis should be in the working process with a musical piece. This article provides a comparative description of the style and holistic types of analysis thinking about a musical work, emphasizes the dialectical unity of a content in the style and holistic analysis, suggests various levels discovering the content of a musical work. Despite the fact that in their tasks, these two types of analysis are opposite to each other, in the subject matter of the study, the relationship between the holistic and stylistic types of analysis are complementary. The criterion of paramount importance is the deepening the scientific aesthetic knowledge of the whole diversity of historically specific phenomena of musical art and their importance in training the performing musician. The levels in the disclosure of the content of a musical work are both, technological principles and conceptual analysis of the musical image, which is shown in case of performance interpretation of the play “Snowdrop” from the cycle “Seasons” by P.I. Tchaikovsky. An analytical work in the process of studying the musical piece will allow the performer to understand the depth of musical images and successfully make the necessary adjustments to the technology of the musical and performing process when playing the bayan and accordion. The proposed approaches to understanding the artistic image of a musical work through the analysis of its features will contribute to successful transference of the content of a musical work to audience by the performer.
Keywords: musical image, style, integrity, analysis, comparison, technology, interpretation, performance, musical art.
