EPISTEMOLOGICAL COMMUNICATIONS IN DESIGN
UDC index:
008
DOI: 10.31773/2078-1768-2019-47-21-26.
Article ID in the RSCI: 37531557
Article file: Download
Information about authors: Balabanov Pavel Ivanovich, Dr of Philosophical Sciences, Professor, Professor of Department of Philosophy, Law And Socio-political Disciplines, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: philosov416@kemguki.ru Zauervayn Larisa Teodorovna, PhD in Philosophy, Associate Professor, Assiciate Professor of Department of Directing Theatrical Performances and Festivals, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: sukhan.k@mail.ru
Annotation: In this article, the specificity of the epistemological sphere of design is shown through the awareness of the following problem, namely: how knowledge from various spheres of culture and society is transformed into the sphere of design and how in this process new knowledge is acquired, which provides the needs of efficiency of project activities. The epistemological channels are represented by the presence of concepts and constructs that are formed and functioning in the field of design tools and procedures: a) pre-design study of social order; construction of an idealized object – an artifact that solves the problem situation as a designed object; materialization of an idealized object of an artifact in some material, energy or information structure, the result of which is the desired artifact, covered by the epistemological shell of the formed knowledge about this artifact, allowing to introduce scientific and project knowledge into the consciousness of the customer and consumer. Interaction of the subject of design, the customer, and the consumer act in the form of cultural dialogue, the internal space of which is the communicative space. The most important features of this communicative space are immanent dynamism, conceptuality (constructivism), interdisciplinarity, and discussion. The problem raised in this article focuses on such a feature of the communicative space as conceptuality, representing to a greater extent, the creative potential of design in comparison with its presence in other specified epistemological design procedures. The epistemological features of communication between the sphere of design and socio-cultural sphere determine the presence and use as cognitive working tools of theoretical and methodological work of the subject of designing the following: a project concept, a set of theoretical constructs of different degrees of generality and content, as well as praxiological programs that translate scientific and project theoretical knowledge into practice. The use of these epistemological means in their completeness determines the adequacy of the epistemological sphere of designing its existence and functioning in culture and society.
Keywords: gnoseology, epistemology, communication, social order, concept, theoretical construct, praxiological program, interdisciplinarity, discussion, design.
DOI: 10.31773/2078-1768-2019-47-21-26.
Article ID in the RSCI: 37531557
Article file: Download
Information about authors: Balabanov Pavel Ivanovich, Dr of Philosophical Sciences, Professor, Professor of Department of Philosophy, Law And Socio-political Disciplines, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: philosov416@kemguki.ru Zauervayn Larisa Teodorovna, PhD in Philosophy, Associate Professor, Assiciate Professor of Department of Directing Theatrical Performances and Festivals, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: sukhan.k@mail.ru
Annotation: In this article, the specificity of the epistemological sphere of design is shown through the awareness of the following problem, namely: how knowledge from various spheres of culture and society is transformed into the sphere of design and how in this process new knowledge is acquired, which provides the needs of efficiency of project activities. The epistemological channels are represented by the presence of concepts and constructs that are formed and functioning in the field of design tools and procedures: a) pre-design study of social order; construction of an idealized object – an artifact that solves the problem situation as a designed object; materialization of an idealized object of an artifact in some material, energy or information structure, the result of which is the desired artifact, covered by the epistemological shell of the formed knowledge about this artifact, allowing to introduce scientific and project knowledge into the consciousness of the customer and consumer. Interaction of the subject of design, the customer, and the consumer act in the form of cultural dialogue, the internal space of which is the communicative space. The most important features of this communicative space are immanent dynamism, conceptuality (constructivism), interdisciplinarity, and discussion. The problem raised in this article focuses on such a feature of the communicative space as conceptuality, representing to a greater extent, the creative potential of design in comparison with its presence in other specified epistemological design procedures. The epistemological features of communication between the sphere of design and socio-cultural sphere determine the presence and use as cognitive working tools of theoretical and methodological work of the subject of designing the following: a project concept, a set of theoretical constructs of different degrees of generality and content, as well as praxiological programs that translate scientific and project theoretical knowledge into practice. The use of these epistemological means in their completeness determines the adequacy of the epistemological sphere of designing its existence and functioning in culture and society.
Keywords: gnoseology, epistemology, communication, social order, concept, theoretical construct, praxiological program, interdisciplinarity, discussion, design.
