THEATRICALITY IN PIANO PERFORMING ARTS
UDC index:
78.01
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Information about authors: Moroz Tatyana Ivanovna, PhD in Philosophy, Assosiate Professor, Assosiate Professor of Department of Musicology and Music and Applied Arts, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: tatyana.moroz7@mail.ru Basalaev Sergey Nikolaevich, PhD in Culturology, Assosiate Professor of Department of Theatre Art, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: sat3@mail.ru
Annotation: The features of manifestation of a phenomenon of theatricality in performing art are considered in the article, changes which are undergone by concert piano performance in the light of realities of modern art culture are displayed here. Theater, having the huge potential opportunities which are “genetically” put in it in modern culture acts as the universal basis for formation of new syntheses, considerably enriching the synthesizable elements, showing the hidden opportunities in them. Emergence of instrumental theater as one of the leading genres of modern musical art became a new stage of synthesis of theater and music.Theatricality is a concept with totality of means of expression, which creates a special reality, in which there are actors according to certain laws. Entrée of theatricality as a special property in musical performance is connected with introduction of the extra musical factor that consists of available director’s approach, free actor’s improvisation, inclusion of various plastic elements, special performance technique on the instrument, appeal to word and voice sound extraction, spatial movement on the stage. The interpretation of some types and signs of theatricality, which are shown in practice of modern piano performance is given in the article. Following the tendencies which are shown in staging the modern culture, mixture of genres, synthesis of arts, tool performance opens for itself the additional communicative potential which is expressed in emergence of one more semantic layer allowing to considerably broaden the semantic sphere of the modern art. Introduc- tion of theatricality into musical art promotes new, deeper comprehension of music as reality, as a special art phenomenon.
Keywords: performing arts, arts synthesis, instrumental theatre, modernity.
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Moroz Tatyana Ivanovna, PhD in Philosophy, Assosiate Professor, Assosiate Professor of Department of Musicology and Music and Applied Arts, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: tatyana.moroz7@mail.ru Basalaev Sergey Nikolaevich, PhD in Culturology, Assosiate Professor of Department of Theatre Art, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: sat3@mail.ru
Annotation: The features of manifestation of a phenomenon of theatricality in performing art are considered in the article, changes which are undergone by concert piano performance in the light of realities of modern art culture are displayed here. Theater, having the huge potential opportunities which are “genetically” put in it in modern culture acts as the universal basis for formation of new syntheses, considerably enriching the synthesizable elements, showing the hidden opportunities in them. Emergence of instrumental theater as one of the leading genres of modern musical art became a new stage of synthesis of theater and music.Theatricality is a concept with totality of means of expression, which creates a special reality, in which there are actors according to certain laws. Entrée of theatricality as a special property in musical performance is connected with introduction of the extra musical factor that consists of available director’s approach, free actor’s improvisation, inclusion of various plastic elements, special performance technique on the instrument, appeal to word and voice sound extraction, spatial movement on the stage. The interpretation of some types and signs of theatricality, which are shown in practice of modern piano performance is given in the article. Following the tendencies which are shown in staging the modern culture, mixture of genres, synthesis of arts, tool performance opens for itself the additional communicative potential which is expressed in emergence of one more semantic layer allowing to considerably broaden the semantic sphere of the modern art. Introduc- tion of theatricality into musical art promotes new, deeper comprehension of music as reality, as a special art phenomenon.
Keywords: performing arts, arts synthesis, instrumental theatre, modernity.
