THE PERIODIZATION OF THE FORMATION OF COLLECTIONS ACCORDING TO THE TRADITIONAL TUVAN COSTUME IN RUSSIA
UDC index:
069.51
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Ondar Aniela Borisovna, Postgraduate, Department of Museum Sciences, Kemerovo State University of Culture (Kemerovo, Russian Federation), Instructor in Technology and Entrepreneurship, Tuvan State University (Kyzyl, Russian Federation), E-mail: aniela.ondar@mail.ru Kimeeva Tatyana Ivanovna, PhD in Сulturology, Associate Professor, Associate Professor of Department of Museum Sciences, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: tat-kimeeva@mail.ru
Annotation: Today’s topical questions are studying the historical and cultural heritage to ensure their preservation and presentation in museums. This article is devoted to the problem of complex studying the traditional costume of Tuva according to the materials of museum collections. The problem stands from the fact that the objects of museum value characterizing the Tuvan folk costume, collected on the territory of Tuva from 1882 to the end of 1960s was included in the collections of various museums of the country from St.-Petersburg, Kazan, Krasnoyarsk, Irkutsk to small regional museums of Tuva. The authors carried out a periodization of the formation of collections according to the traditional costume of Tuva based on a study of collection records, museum documentation in fifteen Russian museums: Museum of Archaeology and Ethnography of Tomsk State University, Museum of Anthropology and Ethnography of Peter the Great, Russian Ethnographic Museum, Ethnographic Museum of Kazan Federal Universit (Volga region), Krasnoyarsk Regional Museum, Irkutsk Regional Museum, Minusinsk Museum, National Museum of Tuva. Museum of History and Material Culture of the Peoples of Central Asia, Tuva State University, six regional and municipal museums of the Republic of Tuva. Determined that the acquisition of collections at the Tuvan national costume in museums of Russia was carried out in three stages. The most important in the acquisition of Museum collections of authentic elements of the traditional costume was the first period from the late 19th to mid-20th centuries, when traditional costume is still reproduced and used in its natural socio-cultural environment. Material on the territory of Tuva gathered during a comprehensive survey of the territory of Eastern Siberia in general. The second period marked the landmarks on a focused study of the cultural heritage of Tuva in the framework of archaeological and ethnographic expeditions. Both phases characterize what is most significant in scientific terms, part of the collected materials exported outside of Tuva determined characteristic for the first two periods, desire for the publication of scientific expeditions. The third period identified in connection with a gradual loss in the natural socio-cultural environment, traditions of manufacturing the traditional costume and transition to urban forms of clothing, as well as the inclusion in the collection of the Tuvan museums including the reconstructed elements of the costume.
Keywords: museum, museum collection, collection, traditional costume, selection.
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Ondar Aniela Borisovna, Postgraduate, Department of Museum Sciences, Kemerovo State University of Culture (Kemerovo, Russian Federation), Instructor in Technology and Entrepreneurship, Tuvan State University (Kyzyl, Russian Federation), E-mail: aniela.ondar@mail.ru Kimeeva Tatyana Ivanovna, PhD in Сulturology, Associate Professor, Associate Professor of Department of Museum Sciences, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: tat-kimeeva@mail.ru
Annotation: Today’s topical questions are studying the historical and cultural heritage to ensure their preservation and presentation in museums. This article is devoted to the problem of complex studying the traditional costume of Tuva according to the materials of museum collections. The problem stands from the fact that the objects of museum value characterizing the Tuvan folk costume, collected on the territory of Tuva from 1882 to the end of 1960s was included in the collections of various museums of the country from St.-Petersburg, Kazan, Krasnoyarsk, Irkutsk to small regional museums of Tuva. The authors carried out a periodization of the formation of collections according to the traditional costume of Tuva based on a study of collection records, museum documentation in fifteen Russian museums: Museum of Archaeology and Ethnography of Tomsk State University, Museum of Anthropology and Ethnography of Peter the Great, Russian Ethnographic Museum, Ethnographic Museum of Kazan Federal Universit (Volga region), Krasnoyarsk Regional Museum, Irkutsk Regional Museum, Minusinsk Museum, National Museum of Tuva. Museum of History and Material Culture of the Peoples of Central Asia, Tuva State University, six regional and municipal museums of the Republic of Tuva. Determined that the acquisition of collections at the Tuvan national costume in museums of Russia was carried out in three stages. The most important in the acquisition of Museum collections of authentic elements of the traditional costume was the first period from the late 19th to mid-20th centuries, when traditional costume is still reproduced and used in its natural socio-cultural environment. Material on the territory of Tuva gathered during a comprehensive survey of the territory of Eastern Siberia in general. The second period marked the landmarks on a focused study of the cultural heritage of Tuva in the framework of archaeological and ethnographic expeditions. Both phases characterize what is most significant in scientific terms, part of the collected materials exported outside of Tuva determined characteristic for the first two periods, desire for the publication of scientific expeditions. The third period identified in connection with a gradual loss in the natural socio-cultural environment, traditions of manufacturing the traditional costume and transition to urban forms of clothing, as well as the inclusion in the collection of the Tuvan museums including the reconstructed elements of the costume.
Keywords: museum, museum collection, collection, traditional costume, selection.