THE WAY OF SINGING SOUND CULTURAL SPACE ESTABLISHMENT
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13.07.25 + 18.01
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Information about authors: Gordeeva Tatyana Yuryevna, PhD in Philosophy, Associate Professor, Kazan State Institute of Culture (Kazan, Russian Federation). E-mail: Gordeeva-muz@rambler.ru
Annotation: The author of this article suggests a potential way of singing sound cultural space establishment from the standpoint of the theory of gesture and plastic basement of the art way of thinking. The determining factor of it is gesture and plastic mental activity of the psychoid unconscious. This mental activity is related with the phenomenon of “ineffable,” which infallibly arises when two interrelated though non-identical components - one of which is ideal and imagery and the other -- exemplified -- of singing sound meet, thus representing the entelechic basis of singing sound and singing culture in general. It possesses introversive and extroversive intentionality. The former is related with the spatial concept of a human, innate in the antenatal period of his existence. Extroversive intentionality invokes the emergence of various variants of sound substance dependant on shades of spiritual and gesture potential of psychoid unconscious (hand-like, flicker, mouth-like). The author suggests a process-dynamic model of the cyclic process of self-movement of singing sound. This theoretical model shows how the singing sound develops from itself, going through the following stages: “pre-sound – sound – post-sounding” by solving the sequence of situations of “nonequilibrium identity” initiated by each stage and each transition from stage to stage of singing sound. The formation of the singing culture takes place, therefore, as a result of the preservation and consolidation of the most successful invariants of the “removal” of the problems of “nonequilibrium identities” that accompany the entire “life cycle’ of the singing sound. This model explains the source of the artistic quality of the singing sound, which is associated with the “inexpressible”.
Keywords: singing sound, singing culture, “inexpressible”, entelechy, spatiality, corporeity, thinking, theory of imagined mental gesture.
DOI:
Article ID in the RSCI:
Article file: Download
Information about authors: Gordeeva Tatyana Yuryevna, PhD in Philosophy, Associate Professor, Kazan State Institute of Culture (Kazan, Russian Federation). E-mail: Gordeeva-muz@rambler.ru
Annotation: The author of this article suggests a potential way of singing sound cultural space establishment from the standpoint of the theory of gesture and plastic basement of the art way of thinking. The determining factor of it is gesture and plastic mental activity of the psychoid unconscious. This mental activity is related with the phenomenon of “ineffable,” which infallibly arises when two interrelated though non-identical components - one of which is ideal and imagery and the other -- exemplified -- of singing sound meet, thus representing the entelechic basis of singing sound and singing culture in general. It possesses introversive and extroversive intentionality. The former is related with the spatial concept of a human, innate in the antenatal period of his existence. Extroversive intentionality invokes the emergence of various variants of sound substance dependant on shades of spiritual and gesture potential of psychoid unconscious (hand-like, flicker, mouth-like). The author suggests a process-dynamic model of the cyclic process of self-movement of singing sound. This theoretical model shows how the singing sound develops from itself, going through the following stages: “pre-sound – sound – post-sounding” by solving the sequence of situations of “nonequilibrium identity” initiated by each stage and each transition from stage to stage of singing sound. The formation of the singing culture takes place, therefore, as a result of the preservation and consolidation of the most successful invariants of the “removal” of the problems of “nonequilibrium identities” that accompany the entire “life cycle’ of the singing sound. This model explains the source of the artistic quality of the singing sound, which is associated with the “inexpressible”.
Keywords: singing sound, singing culture, “inexpressible”, entelechy, spatiality, corporeity, thinking, theory of imagined mental gesture.
