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DRAMATURGY OF B. BARADIN IN THE NATIONAL BURYAT CULTURE
UDC index: 94 (571.54)
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Information about authors: Amgalanova Mariya Viktorovna, PhD in Culturology, Associate Professor of Department of Philosophy and Culturology, East-Siberian State Institute of Culture (Ulan-Ude, Russian Federation). E-mail: amgalanova@ rambler.ru

Annotation: Cultural heritage, its preservation and transmission are the most important ways of existence of culture. Everything that was created by humanity is our common heritage, which we must preserve and pass to future generations. This article examines the spiritual values of the Buryat people, which were reflected in literary work of B. Baradin. Literary heritage of B. Baradin, firstly, is a source of information about the origin and development of the Buryat national culture. Secondly, it is of great importance for the identity of the people. Thirdly, it is the contribution of the people in the national and world culture and civilization. Famous Buryat prominent public figure, scientist and writer Bazaar Baradin wrote dramatic works “Zheg- den,” “Shoyzhid” and “Great Sister – Shaman.” These literary works have a unique historical and cultural value. The development of Drama in Buryat national culture depends on available to viewers in a period of the first quarter of XX century. The playwriting of B. Baradin is a unique literary phenomenon which correlates with the global culture. Baradin mastered several foreign languages, was interested in studying the culture of other countries and herewith promoted Buryat national culture in Europe and Asia. He directed his activities to the revival of the Buryat people and his literary work is a prime example of creativity in the creation of cultural national and universal values.

Keywords: Soviet era, national culture, national Buryat drama, creative heritage of repressed writers, cultural memory

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