CHOREOGRAPHY AS AN ACTING PART IN DRAMA PERFORMANCE (IN CASE OF PERFOMANCES OF A. LUNACHARSKY KEMEROVO DRAMA THEATRE)
UDC index:
792
DOI: 10.31773/2078-1768-2019-48-178-182.
Article ID in the RSCI: https://elibrary.ru/item.asp?id=39198405
Article file: Download
Information about authors: Puzyreva Inga Anatolyevna, Associate Professor of Department of Classic and Modern Choreography, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: pi42@mail.ru
Annotation: Relevance of this work is emphasized by the fact that the interest in the use of choreography in the drama theater and the problem of the introduction of dancing fragments into the drama action, where very frequently the developed plastic and strictly choreographic solution, determines entire system of performance, continues recently to grow. Choreography in the drama theater has its special features, as a goals and tasks, which are inseparably connected with content and specific character of drama performance. Dancing compositions, plastic fragments introduce in the stage action new emotional colors, they help to open producer’s concept. Dance in the play of drama theater is written according to the laws of the dramaturgical construction, which are required for the plot and plotless dance, where frequently is required the distinctness and definition, sometimes complete agreement to the text of dramaturgy. Special attention must be given to the special features of the dramaturgical construction of dancing fragment, to the principles of the selection of motions and lexical elements, so it is necessary to consider the stages of the dynamic development of dance and forms of its completion, to observe the rules of choreographic logic in the construction of dancing combination. The special features of the stage development of the system of dancing dramaturgy of the characters of the Gogol comedy “Marriage” of the Kemerovo Drama Theater from a choreographic point of view are revealed in the article.
Keywords: drama performance, dance fragment, dance, choreography.
DOI: 10.31773/2078-1768-2019-48-178-182.
Article ID in the RSCI: https://elibrary.ru/item.asp?id=39198405
Article file: Download
Information about authors: Puzyreva Inga Anatolyevna, Associate Professor of Department of Classic and Modern Choreography, Kemerovo State University of Culture (Kemerovo, Russian Federation). E-mail: pi42@mail.ru
Annotation: Relevance of this work is emphasized by the fact that the interest in the use of choreography in the drama theater and the problem of the introduction of dancing fragments into the drama action, where very frequently the developed plastic and strictly choreographic solution, determines entire system of performance, continues recently to grow. Choreography in the drama theater has its special features, as a goals and tasks, which are inseparably connected with content and specific character of drama performance. Dancing compositions, plastic fragments introduce in the stage action new emotional colors, they help to open producer’s concept. Dance in the play of drama theater is written according to the laws of the dramaturgical construction, which are required for the plot and plotless dance, where frequently is required the distinctness and definition, sometimes complete agreement to the text of dramaturgy. Special attention must be given to the special features of the dramaturgical construction of dancing fragment, to the principles of the selection of motions and lexical elements, so it is necessary to consider the stages of the dynamic development of dance and forms of its completion, to observe the rules of choreographic logic in the construction of dancing combination. The special features of the stage development of the system of dancing dramaturgy of the characters of the Gogol comedy “Marriage” of the Kemerovo Drama Theater from a choreographic point of view are revealed in the article.
Keywords: drama performance, dance fragment, dance, choreography.
