SYNTHESIS OF ARTS AS A CULTURAL-ARTISTIC PARADIGM
UDC index:
008:7
DOI: 10.31773/2078-1768-2019-47-27-31.
Article ID in the RSCI: 37531559
Article file: Download
Information about authors: Elkan Olga Borisovna, PhD in Сulturology, Associate Professor, Associate Professor of Department of Philosophy, Culturology and Humanities, Crimean University of Culture, Arts and Tourism (Simferopol, Russian Federation). E-mail: elkanolga@gmail.com
Annotation: The problem of the article is related to the projection of the concept of paradigm in the plane of modern scientific ideas about the synthesis of arts. The paradigm of �������������������������������������������������“������������������������������������������������synthesis of arts�������������������������������”������������������������������ as one of the conceptual phenomena of art culture remains almost unexplored area that determines the relevance of the article. The purpose of the work is to consider the specifics of functioning the synthesis of arts as a cultural and artistic paradigm. The scientific approach to the problem is carried out with the involvement of comparative, semiotic and hermeneutic methods, which allows to bring the concept of “synthesis of arts” to the level of cultural and artistic paradigm. The culturological analysis of a concept and categorical apparatus is carried out; in the hermeneutic method of research of the text, according to the offered paradigms, some art texts were interpreted; the hermeneutic method was supplemented with biographical and comparative methods which allow to compare the studied works and/or their fragments with the facts known from the life of the analyzed authors; the semiotic method is necessary to consider the specifics of the representation of the “synthesis” concept in the semisphere of culture of the 19-20th centuries. As a result of the study, individual author’s varieties of the cultural and artistic paradigm “synthesis of arts” are identified. The introduction of the concept of “cultural and artistic paradigm” “synthesis of arts” as a model for solving artistic problems, accepted as a significant sample by a large number of authorsand preserving the spiritual and religious component, is substantiated.
Keywords: synthesis of arts; art culture; paradigm; cultural paradigm; cultural and artistic paradigm.
DOI: 10.31773/2078-1768-2019-47-27-31.
Article ID in the RSCI: 37531559
Article file: Download
Information about authors: Elkan Olga Borisovna, PhD in Сulturology, Associate Professor, Associate Professor of Department of Philosophy, Culturology and Humanities, Crimean University of Culture, Arts and Tourism (Simferopol, Russian Federation). E-mail: elkanolga@gmail.com
Annotation: The problem of the article is related to the projection of the concept of paradigm in the plane of modern scientific ideas about the synthesis of arts. The paradigm of �������������������������������������������������“������������������������������������������������synthesis of arts�������������������������������”������������������������������ as one of the conceptual phenomena of art culture remains almost unexplored area that determines the relevance of the article. The purpose of the work is to consider the specifics of functioning the synthesis of arts as a cultural and artistic paradigm. The scientific approach to the problem is carried out with the involvement of comparative, semiotic and hermeneutic methods, which allows to bring the concept of “synthesis of arts” to the level of cultural and artistic paradigm. The culturological analysis of a concept and categorical apparatus is carried out; in the hermeneutic method of research of the text, according to the offered paradigms, some art texts were interpreted; the hermeneutic method was supplemented with biographical and comparative methods which allow to compare the studied works and/or their fragments with the facts known from the life of the analyzed authors; the semiotic method is necessary to consider the specifics of the representation of the “synthesis” concept in the semisphere of culture of the 19-20th centuries. As a result of the study, individual author’s varieties of the cultural and artistic paradigm “synthesis of arts” are identified. The introduction of the concept of “cultural and artistic paradigm” “synthesis of arts” as a model for solving artistic problems, accepted as a significant sample by a large number of authorsand preserving the spiritual and religious component, is substantiated.
Keywords: synthesis of arts; art culture; paradigm; cultural paradigm; cultural and artistic paradigm.
