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- The thematism of the baroque concert form as a determinant of its compositionalsolutions (based on the material Concerti grossi op. 6 nos. 7 and 8 by G. F. Handel) G. F. Handel, Concerto grosso op. 6, theme, interlude, combinatorics, concert form, concertation.
- THE CEREMONIAL SABER OF ARCHDUKE CARL JOSEPH: WEAPONS HISTORY IN THE CULTURAL STUDIES CONTEXT 18th century, Age of Enlightenment, historical cultural studies, national culture, rococo, weapons history, artistic weapons, ceremonial weapons, carved stone art.
- FUGUE IN ABSTRACT PAINTING AS AN OBJECT OF SYNESTHETIC THINKING AND PERCEPTION fugue, abstract paintings, color, synesthetic aspect, semantic codes, associations.
- ANCIENT CHINA SYSTEM OF MUSIC THEORY music, ancient China, music-theoretical system, harmony, ancient Chinese philosophy, traditional culture, music theory.
- CHILDREN'S PIANO ALBUM IN THE SPECTRUM OF AUTHORS' SEARCHES: MUSICAL PORTRAIT AS A MEANINGFUL CATEGORY OF THE IMAGE Bortkiewicz, Gretchaninov, Cherepnin, musical portrait, children's piano album, image, character.
- ZOOMORPHIC MOTIFS IN RUSSIAN CHINOISERIE INTERIORS Russian art of the XVIII century, Chinoiserie, rococo, dragon, phoenix, firebird, zoomorphic symbolism.
