Release №42
16.02.2018
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- MUSEUM DOCUMENTING AS AN OBJECT OF THEORETICAL SURVEY OF RESEARCHERS museum, document, museum object, theory of documenting.
- MUSEUM TOURISM IN ALTAI REGION: EXPERIENCE AND PROSPECTS OF DEVELOPMENT museum, museum resources, museum tourism, tourist resources.
- CONTROLLING ROLE OF IMAGINATION AS THE BASIS OF THE EFFECTIVENESS OF THE THEATRE-PEDAGOGICAL SPEECH TECHNOLOGIES
- THE METHODS OF ORGANIZATION OF SENSE SPACE IN TERMS OF THE PLASTIC PERFORMANCE “HOME” BY DANCE THEATRE “SINESTETICA”: THE VARIABILITY PROBLEM OF PERCEPTION plastic theatre, performance “Home,” corporeality, variability of perception, sense space.
- THEATRICALITY IN PIANO PERFORMING ARTS performing arts, arts synthesis, instrumental theatre, modernity.
- “TO BROTHERS WHO DID NOT RETURN FROM THE WAR ...” CHORAL CYCLES OF R. SHCHEDRIN AND A. ESHPAY genre of choral cycle, topics of the Great Patriotic War of 1941-1945, R. Shchedrin, A. Eshpay, relationship of music and words.
- ON SOME FEATURES OF J.S. BACH’S CLAVIER MUSIC (TO A PROBLEM OF PERFORMING ANALYSIS OF TEXTURE) Bach, texture transformation, polyphony, harmonic hearing, sounding, performing analysis.
- MANIFESTATION OF THE PRINCIPLE OF ROTATION IN SHAPING THE MUSICAL LIFE OF KUZNETSK AND MARIINSK COUNTIES diffusion, displaced persons, personnel rotation, musical life, repertoire, repertoire’s rotation, rotational diffusion, rotation, tradition.
- MUSIC FOR CAPABLE PLAYING WITH ONE FINGER: “PARAPHRAZES” OF A.P. BORODIN, T.A. KUI, A.K. LYADOV, N.A. RIMSKY-KORSAKOV AND THEIR ORCHESTRA VERSION IN INSTRUMENTAL BY N.N. CHEREPNIN children music, variations, genres, cycle, instrumentation, composer’s technique.
- THE GENESIS OF MUSICAL ENLIGHTENMENT AND NODAL STAGES OF ITS EVOLUTION (UP TO 1917) music education, music art, Genesis, stages, music, audience, musical propaganda.
