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- MODERN PROBLEMS AND PERSPECTIVES OF THE USE OF ELECTRONIC EDUCATIONAL RESOURCES IN THE PROCESS OF TEACHING THE ADOLESCENTS (TEENAGERS) SINGING information educational environment, electronic educational resources, independent work of students, distance learning, the process of learning pop singing to teenagers.
- THE SYMBOLISM OF WATER IN THE FESTIVAL OF FRENCH ROYAL ENTRY IN THE RENAISSANCE French Renaissance, Royal entry, water imagery.
- MUSICALITY IN THE STRUCTURE OF MUSICAL GIFTEDNESS: SYNESTHETIC ASPECT synesthetic, musical giftedness, musicality.
- SYNESTYTICITY IN THE CREATIVITY OF I. VYSHNEGRADSKY I. Vyshnegradsky, microchromatics, synesthetic concept of creativity, synthetic perception of music.
- COMPARATIVE STUDY OF FOLK MUSIC OF THE OLD SETTLERS’ TRADITIONS OF RUSSIAN POPULATION IN SIBERIA (CONCEPTUAL PROBLEM, SOURCES) Russian traditional music, old-settler Russian population of Siberia, sources, methods of studying.
- THE “FOREIGNER” IMAGE IN INTERCULTURAL COMMUNICATION: FRENCH IN THE EYEWITNESSES’ OF 1812 STORIES intercultural communication, image, “Strange”, Patriotic War of 1812, French, Russian.
- CHINESE CULTURAL INFLUENCE ON THE ABORIGINAL POPULATION OF THE USSURI REGION IN THE MIDDLE 19TH – EARLY 20TH CENTURY Chinese, Aborigines, Ussuri region, cultural interaction, everyday life, customs, adaptation.
- GYÖRGY LIGETI’S REQUIEM AS PHENOMENON OF THE WESTERN MUSICAL VANGUARD musical vanguard, requiem, sacral text, micropolyphony, esthetic figures-images.
- COMPOSER ANTONIO SPADAVECCHIA: LIFE AND CREATIVITY Antonio Spadavecchia, music for movies, “Zolushka,” Soviet opera, Sergei Prokofiev.
- THE SPECIFICITY OF ETHNIC CHINESE FAMILY EDUCATION IN THE PRC, TAIWAN AND THE USA ethnofor, national identity, education, island identity, Taiwan.