Release №47
- PIANOLA AND ITS ROLE IN THE MUSICAL CULTURE OF THE PAST AND PRESENT Pianola, Piano rolls, pianolist, Aeolian Company, duo-art, Igor Stravinsky, Conlon Nancarrow, Rex Lawson.
- SOUNDING WORLD OF CLASSIC FANTASY Mozart, fantasy, performing analysis, performing hearing, texture, musical form.
- THE ROLE OF MUSICAL ANALYSIS IN THE TECHNOLOGY DISCOVERY OF ART IN A MUSICAL IMAGE IN WORKS FOR PLAYING THE BAYAN AND ACCORDION musical image, style, integrity, analysis, comparison, technology, interpretation, performance, musical art.
- INTERPRETATIVE DOMINANTS OF CELLO SOLO SUITE AS A GENRE interpretation, Bach, Reger, Britten, cello suite, suite as a genre, techniques.
- THE WAY TO THE METHODICAL DISCOVERIES OF THE 20TH CENTURY (THE VIOLIN SCHOOL BY L. AUER IN THE LIGHT OF I. LESMAN’S COMMENTS) L. Auer, “My School of Violin Playing,” I.A. Lesman, methods of teaching the violin.
- ON GENRE DEVELOPMENT IN BENJAMIN BRITTEN’S INSTRUMENTAL CYCLES (TO THE 105TH ANNIVERSARY OF THE COMPOSER) instrumental cycles of Britten, genre, genre drama, sonata, suite, variations of the genre.
- A CREATIVE COMPONENT OF MUSICAL DARKNESS: SYNESTHETIC ASPECT OF RESEARCH synesthesia, musical talent, creativity.
- SPIRITUALITY AS A COMPONENT OF MUSICAL GIFT: SYNESTHETIC ASPECT OF RESEARCH spirituality, synesthesia, musical talent.
- CHOIR PERFORMANCE “I-WE”: ANALYSIS OF MUSICAL STAGE IMPLEMENTATION BY THE CHORAL THEATRE “ACADEMY” dramatic and post dramatic techniques, dramaturgical concept, music art, musical stage incarnation, the rehearsal process, choral theatre, energy theatre.
- FUNCTIONAL SPECIFIC OF STAGE MAKE-UP IN THE STRUCTURE OF ART IMAGE theatre, art image, costume, stage make-up, expressing means, functions of stage make-up, stage text, external presentence.
