Edition No.47
- CHANGES IN REQUIREMENTS FOR TRAINING THE PERSONNEL IN THE FIELD OF DOCUMENTATION AND ARCHIVING IN TRANSITION TO DIGITAL ECONOMY personnel training, documentation management support, documentation management and archiving, digital economics, information technology.
- VOLUNTEER ACTIVITY IN FORMATION OF PATRIOTIC STUDENT’S QUALITIES IN HIGHER EDUCATIONAL INSTITUTION OF CULTURE patriot, patriotism, patriotic qualities, motivation, volunteering, volunteer initiatives, unpaid worker, undertaking, giving, volunteering movement.
- SOCIO-CULTURAL CONDITIONS OF STUDENT YOUTH CROSS-CULTURAL COOPERATION cross-cultural cooperation, cross-cultural interaction, cross-cultural communication, student youth, foreign students, multiethnic space, globalization, sociocultural activity.
- THE GAME AS A VECTOR OF FORMATION OF THE LEARNING YOUTH’S LEISURE CULTURE leisure, leisure culture, game, game beginning, game modeling, culture of leisure, learning youth.
- MODERN METHODS AND TECHNIQUES OF FOREIGN LANGUAGE TEACHING THE STUDENTS OF A NON-LINGUISTIC UNIVERSITY modern methods, teaching approaches, students of non-linguistic universities, English language, features of teaching, active methods.
- PROFESSIONALLY ORIENTED TRAINING THE FUTURE SPECIALISTS IN PUBLIC RELATIONS TO A FOREIGN LANGUAGE quasi-professional activity, foreign language training, business cases, readability index, media analysis, press-releases.
- ОRGANIZATION OF A PLENER TOUR AS AN EFFECTIVE FORM OF TRAINING THE BACHELORS IN THE DIRECTION OF TRAINING “DESIGN” educational project, open-air tour, exhibition activities.
- ТRANSFORMATION OF EDUCATIONAL DISCIPLINE “DUET DANCE” IN THE SYSTEM OF CHOREOGRAPHIC EDUCATION OF RUSSIA OF UNIVERSITIES OF CULTURE pedagogical process, duet dance, discipline, modern directions, support, choreographer, ballet-master.
- DISCURSIVE ANALYSIS OF THE FORMATION OF THE BASIC DISCIPLINES OF THE INTEGRATED GROUP OF PREPARATION DIRECTIONS 51.00.00 “CULTURE AND SOCIO-CULTURAL PROJECTS” IN THE TRANSITION TO RENOVATED FEDERAL EDUCATIONAL STANDARDS federal educational standard of higher education, exemplary basic educational programs, an integrated group of training areas, universal competences, general professional competencies, competence achievement indicators, cultural studies, socio-cultural projects.
- REFLECTING THE PROFESSIONAL COMPETENCIES OF INFORMATION ANALYSTS IN PROFESSIONAL AND EDUCATIONAL STANDARDS information and analytical activities, competencies, professional standard, training programs, educational standards, technological approach.
- FUNCTIONAL SPECIFIC OF STAGE MAKE-UP IN THE STRUCTURE OF ART IMAGE theatre, art image, costume, stage make-up, expressing means, functions of stage make-up, stage text, external presentence.
- CHOIR PERFORMANCE “I-WE”: ANALYSIS OF MUSICAL STAGE IMPLEMENTATION BY THE CHORAL THEATRE “ACADEMY” dramatic and post dramatic techniques, dramaturgical concept, music art, musical stage incarnation, the rehearsal process, choral theatre, energy theatre.
- SPIRITUALITY AS A COMPONENT OF MUSICAL GIFT: SYNESTHETIC ASPECT OF RESEARCH spirituality, synesthesia, musical talent.
- A CREATIVE COMPONENT OF MUSICAL DARKNESS: SYNESTHETIC ASPECT OF RESEARCH synesthesia, musical talent, creativity.
- ON GENRE DEVELOPMENT IN BENJAMIN BRITTEN’S INSTRUMENTAL CYCLES (TO THE 105TH ANNIVERSARY OF THE COMPOSER) instrumental cycles of Britten, genre, genre drama, sonata, suite, variations of the genre.
- THE WAY TO THE METHODICAL DISCOVERIES OF THE 20TH CENTURY (THE VIOLIN SCHOOL BY L. AUER IN THE LIGHT OF I. LESMAN’S COMMENTS) L. Auer, “My School of Violin Playing,” I.A. Lesman, methods of teaching the violin.
- INTERPRETATIVE DOMINANTS OF CELLO SOLO SUITE AS A GENRE interpretation, Bach, Reger, Britten, cello suite, suite as a genre, techniques.
- THE ROLE OF MUSICAL ANALYSIS IN THE TECHNOLOGY DISCOVERY OF ART IN A MUSICAL IMAGE IN WORKS FOR PLAYING THE BAYAN AND ACCORDION musical image, style, integrity, analysis, comparison, technology, interpretation, performance, musical art.
- SOUNDING WORLD OF CLASSIC FANTASY Mozart, fantasy, performing analysis, performing hearing, texture, musical form.
- PIANOLA AND ITS ROLE IN THE MUSICAL CULTURE OF THE PAST AND PRESENT Pianola, Piano rolls, pianolist, Aeolian Company, duo-art, Igor Stravinsky, Conlon Nancarrow, Rex Lawson.
- THE OPERA “THE LEFT-HANDER” BY RODION SHCHEDRIN: THE RIDDLE OF THE RUSSIAN GENIUS AND HIGH TEMPERATURE OF THE PLOT Rodion Shchedrin, Nikolai Leskov, opera, “The Left-hander,” libretto, genre, drama, musical language.
- THE NEWSREEL AS HISTORICAL AND CULTURAL HERITAGE OF KUZBASS newsreel, documentary cinema, camera operator, archive, culture of Kuzbass, cinema, the truth of cinema, Soviet cinema, cinematography.
- LIBERALISM, RADICALISM AND PATRIOTISM WITH RESPECT TO THE CONSERVATION OF HISTORICAL AND CULTURAL HERITAGE historical and cultural heritage, museums, monuments, liberalism, radicalism, patriotism, Russia, Europe, traditional national culture.
- THE IDEA OF DEPARTURE IN SPACE IN THE CONTEXT OF SOVIET MENTALITY space, nature, miraculous, Soviet society, Soviet man, eternity, time, history.
- EASTER AND CHRISTMAS CUSTOMS AND TRADITIONS IN SOVIET SECULAR SOCIETY
- THE PRIMARY IMAGES OF CULTURE AND CONTEMPORARY ART animism, archetype, expressive means, myth, the primary images of culture, contemporary art, content, structure of work, artistic image.
- SYNTHESIS OF ARTS AS A CULTURAL-ARTISTIC PARADIGM synthesis of arts; art culture; paradigm; cultural paradigm; cultural and artistic paradigm.
- EPISTEMOLOGICAL COMMUNICATIONS IN DESIGN gnoseology, epistemology, communication, social order, concept, theoretical construct, praxiological program, interdisciplinarity, discussion, design.
- ENTERTAINMENT TREND IN CULTURE OF THE POST-SOVIET PERIOD: IMPLEMENTING THE COMEDIES OF FOREIGN AUTHORS (IN CASE OF THE KUZBASS THEATERS) Post-Soviet culture, entertainment trend, theatrical culture, comedies of foreign authors.
- THE USA REGIONAL THEATER MODEL IN CASE OF THE AMERICAN REPERTORY THEATER IN THE FIRST DECADE OF ITS DEVELOPMENT American Repertory Theater, Robert Brustein, Robert Ochard, Board of Directors, Harvard University, National Endowment for the Arts, subscribers, non-profit organization.