Edition No.45/1

16.11.2018

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LESSONS BY SVIATOSLAV RICHTER AS A CONCERTMASTER Sviatoslav Richter, accompaniment, concertmaster teaching practice, singers, piano accompanists.
ARTISTIC CHARACTERISTICS AND HISTORY OF THE DEVELOPMENT OF MODERN CHINESE OPERA OF THE “NEW TREND” chamber opera, opera of the “New Trend,” postmodern music, style parameters, elements of folk music.
NAMING IN MODERN ARKHANGELSK: ALL-RUSSIAN TRENDS AND REGIONAL SPECIFICS naming, urbanonym, All-Russian trends, regional specifics, culturological approach.
PROFESSIONAL TRAINING OF EXPERTS IN EDUCATION IN THE PEDAGOGICAL UNIVERSITY OF THE 21ST CENTURY expert in education, professional training, pedagogical analysis, pedagogical university of the 21st century, educational landscape, Master’s Degree.
FROM THE EXPERIENCE OF USE OF FILMS IN TEACHING THE RUSSIAN LANGUAGE IN DIFFERENT SLAVIC ENVIRONMENT extracurricular activities, Russian as second Slavic, films in teaching Russian as foreign, methodology of teaching Russian as foreign.
PHOTOGRAPHIC COLLECTION OF THE TOMSK SOCIETY OF SIBERIAN STUDIES AT THE TOMSK REGIONAL MUSEUM collection, museum studies, history of photography, fine art source, Siberia, Asian studies, scientific societies, A.V. Adrianov, G.N. Potanin.
FROM THE HISTORY OF STUDYING THE MASS MUSIC IN NOVOSIBIRSK STATE CONSERVATOIRE Novosibirsk Conservatoire, mass-music, Vladimir Kaluzhsky, musical education.
EXPERIENCE OF “THEORY AND PRACTICE IN FOREIGN LANGUAGES TEACHING (ENGLISH, FRENCH, CHINESE, JAPANESE, KOREAN)” TRAINING PROVISION IN TOMSK STATE UNIVERSITY methodical competence of a teacher, training provision in a foreign language, pedagogical interaction, questionnaire method.
THE SIBERIAN CHUVASH SONG TRADITION IN THE LIGHT OF ETHNOS’ INTONATION CULTURE THEORY ethnos intonation culture, system methodology, Siberian Chuvash song folklore, borrowed genres.
SOME ASPECTS OF THE CHANGING STATUS OF CHINESE WOMAN IN THE ERA OF IMPLEMENTED MODERNIZATION Confucianism, rituality, women’s rights, modernization, gender equality, tradition and modernity.
THE SPECIFICITY OF ETHNIC CHINESE FAMILY EDUCATION IN THE PRC, TAIWAN AND THE USA ethnofor, national identity, education, island identity, Taiwan.
COMPOSER ANTONIO SPADAVECCHIA: LIFE AND CREATIVITY Antonio Spadavecchia, music for movies, “Zolushka,” Soviet opera, Sergei Prokofiev.
GYÖRGY LIGETI’S REQUIEM AS PHENOMENON OF THE WESTERN MUSICAL VANGUARD musical vanguard, requiem, sacral text, micropolyphony, esthetic figures-images.
CHINESE CULTURAL INFLUENCE ON THE ABORIGINAL POPULATION OF THE USSURI REGION IN THE MIDDLE 19TH – EARLY 20TH CENTURY Chinese, Aborigines, Ussuri region, cultural interaction, everyday life, customs, adaptation.
THE “FOREIGNER” IMAGE IN INTERCULTURAL COMMUNICATION: FRENCH IN THE EYEWITNESSES’ OF 1812 STORIES intercultural communication, image, “Strange”, Patriotic War of 1812, French, Russian.
COMPARATIVE STUDY OF FOLK MUSIC OF THE OLD SETTLERS’ TRADITIONS OF RUSSIAN POPULATION IN SIBERIA (CONCEPTUAL PROBLEM, SOURCES) Russian traditional music, old-settler Russian population of Siberia, sources, methods of studying.
SYNESTYTICITY IN THE CREATIVITY OF I. VYSHNEGRADSKY I. Vyshnegradsky, microchromatics, synesthetic concept of creativity, synthetic perception of music.
MUSICALITY IN THE STRUCTURE OF MUSICAL GIFTEDNESS: SYNESTHETIC ASPECT synesthetic, musical giftedness, musicality.
THE SYMBOLISM OF WATER IN THE FESTIVAL OF FRENCH ROYAL ENTRY IN THE RENAISSANCE French Renaissance, Royal entry, water imagery.
MODERN PROBLEMS AND PERSPECTIVES OF THE USE OF ELECTRONIC EDUCATIONAL RESOURCES IN THE PROCESS OF TEACHING THE ADOLESCENTS (TEENAGERS) SINGING information educational environment, electronic educational resources, independent work of students, distance learning, the process of learning pop singing to teenagers.
PEDAGOGICAL ATTITUDES OF RUSSIAN LAPLAND WITHIN ETHNOCULTURAL TRADITIONS OF KOMI PEOPLE ethnicity, ethnical self-awareness, ethnic culture, ethnic art, Izhma Komi, ethnopedagogy.
APPROACHES TO CLASSIFICATION OF ETHNOGRAPHICAL MUSEUMS UNDER THE OPEN SKY OF SIBERIA open-air ethnographic museums, environmental museum, Skansen, ecomuseum, dominant type of heritage storage, methods of museumification, actualization, classification.
HARP IN THE ERA OF HIGH RENAISSANCE AND BAROQUE harp, Baroque, diatonic, chromatic scale, harp types, repertoire, performers, masters.
SONGS OF THE CIRCLE OF THE DAY IN GERMAN CULTURE (CHARACTERISTICS OF THE GENRE) world picture, day circle, signal tone, morning, lunch and evening songs.
THE CREATIVE WORK OF PIERRE-LAURENT AIMARD: NEW TRENDS IN CONTEMPORARY MUSICAL PERFORMANCE Pierre-Laurent Aimard, Olivier Messian, Gyorgy Ligeti, contemporary music, performing style, documentary ‘Pianomania’.
E. DEGAS, CHRONICLER OF THE FRENCH BALLET: TO THE QUESTIONS OF THE RESEARCH OF THE ARTIST’S CREATIVITY E. Degas, ballet of the Paris Opera, impressionistic method, dance image.
AN ARTIST’S DIARY IN THEATRE ARTS artist’s diary, acting, theatre pedagogic, direction.
IMPROVING THE SYSTEM OF TRAINING THE CLASSICAL DANCE FOR STUDENTS OF CHOREOGRAPHY AT THE UNIVERSITIES OF CULTURE system, method, method classical dance, education, teacher, professional activity, goals, objectives.
CHESS ORNAMENT ON THE SCULPTURE OF NIKOLAI MOZHAISKY IN THE OB-UGRIC CULTURE Ob Ugrians, Islam, cultural-historical psychology, Western Siberia, traditional culture, istaks, Ob-Ugric Art, Orthodox.

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