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- THE LOCAL LORE MOVEMENT AND THE ESTABLISHMENT OF CULTURE-RELATED TOURISM IN THE 1920-30S IN THE TATAR ASSR (TATAR AUTONOMOUS SOVIET SOCIALIST REPUBLIC): THE HISTORICAL DIGRESSION cultural educational tourism, history of tourism in Tatarstan, history of local lore activity, tourism in small towns.
- SOURCES FOR STUDYING THE IMAGE OF THE MUSEUM: FOR THE FORMATION OF THE INTERDISCIPLINARY APPROACH museum image, sources, interdisciplinary approach.
- SINAESTHESIA AS THE INTERDISCIPLINARY PHENOMENON synaesthesia, color hearing, interconscious associations, aesthetic perception, periodical system of arts.
- SYNAESTETICS OF M. ČIURLIONIS’ MUSICAL PAINTING synesthetic, musical painting, auditory synesthesia, interconscious associations.
- MODERN STATE OF ACADEMIC PERFORMANCE ON DOMRA music, domra, performance, academic, professionalizing, universalism, Andreev, Tsygankov
- SOVIET DRAMATURGY IS THE MAIN REPERTOIRE LINE OF KEMEROVO DRAMA DURING THE GREAT PATRIOTIC WAR dramaturgy of the period of the Great Patriotic War, Soviet dramaturgy, Kemerovo Drama Theatre
- THE NATURE OF ART IN THEATRE theatrical sign, art in theatre, performance elements, objective world of performance
- ON THE COMIC AND COMEDY IN SERGEY AFANASSYEV’S PERFOMANCES ON THE PLAYS BY IVAN VYRYPAEV performing arts, Novosibirsk City Drama Theatre, director’s analysis, dramas written by Ivan Vyrypayev, analysis of performances, carnival laughter culture, the comic versus the comedy.
- FEATURES OF MASTER TRAINING THE UNDERGRADUATES IN THE RUSSIAN INSTITUTE OF CULTURE AND ARTS higher education, management, magistracy, institute of culture and arts, vertical management, horizontal management.
- FORMATION OF CORPORATE CULTURE OF STUDENT COLLECTIVE TROUGH ANIMATION PROGRAMS corporate culture, student collective, animation program, student creative laboratory.
