Article archive
- MUSICALITY IN THE STRUCTURE OF MUSICAL GIFTEDNESS: SYNESTHETIC ASPECT synesthetic, musical giftedness, musicality.
- SYNESTYTICITY IN THE CREATIVITY OF I. VYSHNEGRADSKY I. Vyshnegradsky, microchromatics, synesthetic concept of creativity, synthetic perception of music.
- COMPARATIVE STUDY OF FOLK MUSIC OF THE OLD SETTLERS’ TRADITIONS OF RUSSIAN POPULATION IN SIBERIA (CONCEPTUAL PROBLEM, SOURCES) Russian traditional music, old-settler Russian population of Siberia, sources, methods of studying.
- THE “FOREIGNER” IMAGE IN INTERCULTURAL COMMUNICATION: FRENCH IN THE EYEWITNESSES’ OF 1812 STORIES intercultural communication, image, “Strange”, Patriotic War of 1812, French, Russian.
- CHINESE CULTURAL INFLUENCE ON THE ABORIGINAL POPULATION OF THE USSURI REGION IN THE MIDDLE 19TH – EARLY 20TH CENTURY Chinese, Aborigines, Ussuri region, cultural interaction, everyday life, customs, adaptation.
- GYÖRGY LIGETI’S REQUIEM AS PHENOMENON OF THE WESTERN MUSICAL VANGUARD musical vanguard, requiem, sacral text, micropolyphony, esthetic figures-images.
- COMPOSER ANTONIO SPADAVECCHIA: LIFE AND CREATIVITY Antonio Spadavecchia, music for movies, “Zolushka,” Soviet opera, Sergei Prokofiev.
- THE SPECIFICITY OF ETHNIC CHINESE FAMILY EDUCATION IN THE PRC, TAIWAN AND THE USA ethnofor, national identity, education, island identity, Taiwan.
- SOME ASPECTS OF THE CHANGING STATUS OF CHINESE WOMAN IN THE ERA OF IMPLEMENTED MODERNIZATION Confucianism, rituality, women’s rights, modernization, gender equality, tradition and modernity.
- THE SIBERIAN CHUVASH SONG TRADITION IN THE LIGHT OF ETHNOS’ INTONATION CULTURE THEORY ethnos intonation culture, system methodology, Siberian Chuvash song folklore, borrowed genres.
- EXPERIENCE OF “THEORY AND PRACTICE IN FOREIGN LANGUAGES TEACHING (ENGLISH, FRENCH, CHINESE, JAPANESE, KOREAN)” TRAINING PROVISION IN TOMSK STATE UNIVERSITY methodical competence of a teacher, training provision in a foreign language, pedagogical interaction, questionnaire method.
- FROM THE HISTORY OF STUDYING THE MASS MUSIC IN NOVOSIBIRSK STATE CONSERVATOIRE Novosibirsk Conservatoire, mass-music, Vladimir Kaluzhsky, musical education.
- PHOTOGRAPHIC COLLECTION OF THE TOMSK SOCIETY OF SIBERIAN STUDIES AT THE TOMSK REGIONAL MUSEUM collection, museum studies, history of photography, fine art source, Siberia, Asian studies, scientific societies, A.V. Adrianov, G.N. Potanin.
- FROM THE EXPERIENCE OF USE OF FILMS IN TEACHING THE RUSSIAN LANGUAGE IN DIFFERENT SLAVIC ENVIRONMENT extracurricular activities, Russian as second Slavic, films in teaching Russian as foreign, methodology of teaching Russian as foreign.
- PROFESSIONAL TRAINING OF EXPERTS IN EDUCATION IN THE PEDAGOGICAL UNIVERSITY OF THE 21ST CENTURY expert in education, professional training, pedagogical analysis, pedagogical university of the 21st century, educational landscape, Master’s Degree.
- NAMING IN MODERN ARKHANGELSK: ALL-RUSSIAN TRENDS AND REGIONAL SPECIFICS naming, urbanonym, All-Russian trends, regional specifics, culturological approach.
- ARTISTIC CHARACTERISTICS AND HISTORY OF THE DEVELOPMENT OF MODERN CHINESE OPERA OF THE “NEW TREND” chamber opera, opera of the “New Trend,” postmodern music, style parameters, elements of folk music.
- LESSONS BY SVIATOSLAV RICHTER AS A CONCERTMASTER Sviatoslav Richter, accompaniment, concertmaster teaching practice, singers, piano accompanists.
- CULTURAL HERITAGE IN THE LIGHT OF MODERN HUMANITARIAN APPROACHES heritage, memory, cultural heritage, cultural memory, humanitarian approaches.
- DIALOGUE OF CULTURES THROUGH CREATIVITY: PAINTING OF CHINESE MASTERS WHO WERE PUPILS OF RUSSIAN ARTISTS-EMIGRANTS IN CHINA IN THE 20TH CENTURY dialogue of cultures, Han Jingsheng, Sun Yuntai, Gao Mang, Wang Tongzhen, Russian artistsemigrants, fi ne arts.
- SPACE AND ITS BORDERS IN THE “DESCRIPTION OF THE SELECTED VILLAGES” (T’AENGNIJI, 1751) BY LI CHUNG-HWAN Korea, Joseon, “Description of the Selected Villages,” “T’aengniji”, Li Chung-Hwan, sacred geography, cultural space.
- THE ARISTOTLE’S APATHETIC THEOLOGY God, apophatic, the Divine Nous, the First Cause, Heaven, matter, cosmology, antinomy, dialectic, potency, infi nity, quantity, change.
- PRINCIPLES OF “NAPEVKA” FORMATION IN THE OLD BELIVERS’, LITURGICAL PRACTICE Russian Orthodox Old Believers Church, liturgical chants of Old Believers, melodic model, liturgical canon, napevkа.
- CRISIS OF AXIOSPHERE OF DOMESTIC CULTURE DURING PERESTROIKA AS “PRESENTIMENT” OF CIVIL WAR axiosphere of culture, value, perestroika, Post-Soviet, cultural science, history, sociological poll, synergetic system.
- LONG WHARF THEATRE, A NON-PROFIT THEATRE OF THE UNITED STATES Long Wharf, regional drama theaters, Erwin Brown, Yale Drama School, New Haven.
- THE IMAGE OF A NON-INTEGRITY PERSON IN THE CULTURE OF THE 19-20TH CENTURIES (FROM DOSTOYEVSKY TO NONCLASSICAL LYRICS) culture, era, the image of a non-integrity person, the poetics of modality, non-classical art, images of bodily objectifi cation.
- MODERN CONTROL METHODS THE EFFECTIVENESS OF TRAINING ACTIVITIES OF STUDENTS AND TEACHERS IN LEARNING DANCE DISCIPLINES control methods, results, formation, students, quality assessment, system, choreography, achievement.
- CULTURAL AND NATURAL LANDSCAPES OF MODERN CRIMEA: FEATURES AND TYPOLOGY natural landscape, cultural and natural landscape, typological features, typology of cultural and natural landscapes of the Crimea.
- PICTURE OF THE WORLD IN THE CENTRAL ASIAN YURTS ARCHITECTURE spiritual culture, religious practices, space, yurt, yurt-like architecture, world view, Tangrianism, Buddhism, Lamaism.
- THE TOPICAL ISSUES OF CORPORATE CULTURE OF MODERN RUSSIAN HIGHER EDUCATIONAL INSTITUTION corporate culture, higher education institution, student, cultural environment, formation, corporate identity, cohesion, tradition, values.