Article archive
- Breaking down the barriers between the stage and the auditorium: the realization of the social orientation of the theatrical culture of the XXI century director's laboratory, creative laboratory, theater of citizens, collective theatrical creativity, values, collectivism, postmodernism, post-drama theater, performative turn, non-dramatic text.
- AXIOLOGICAL FOUNDATIONS OF VOICE-SPEECH TECHNIQUES IN RUSSIAN STAGE SPEECH CULTURE axiological basis, voice-speech methodology, domestic stage speech culture, methods of direct influence, methods of indirect influence, literary centrism, normativity, dramatism.
- Multidimensionality as a property of art: on the example of the creativity of M.I. Glinka (on the 220th anniversary of the composer’s birth) Key words: multidimensionality of artistic content, antinomy, affective contradiction, figurative-associative space, M. Glinka’s operatic work, M. Glinka’s pedagogical activity, dichotomy “traditional - innovative”, catharsis.
- Possibilities of aesthetic education by means of musical art musical art, morality, student, aesthetic education, musical education
- Chinese sculptor Xie-Yi：Ren Yanming China, Xie-Yi sculpture, Ren Yanming, Wu Weishan
- STAGE AND SOCIAL DANCE: GENERAL AND SPECIFIC dance, stage dance, social dance, movement, rhythm, communication.
- Linear drawing as a figurative metaphor of the city in the Leningrad decorative minimalism works decorative art of Leningrad, industrial art of Leningrad, decorative minimalism, figurative metaphor, linear drawing
- PEDAGOGICAL CONDITIONS AND CRITERIA FOR THE FORMATION OF CONSCIOUS PARENTING parental involvement, conditions of involvement, educational process, parental roles.
- SELF-SUFFICIENCY OF PHOTOGRAPHY IN THE CONTEXT OF THE FUNCTIONING OF CONTEMPORARY ART self-sufficiency, art-photography, modern art, artistic functioning
- FEATURES OF THE CREATIVE METHOD OF THE ARTIST FROM MONGOLIA NURDIKHAN RIYAN ULY ON THE EXAMPLE OF THE COLLECTION OF WORKS OF THE MUSEUM OF KAZAKHS OF ALTAI Keywords: creative method, ethnic motives, Kazakh art, painting, modern art.
- HISTORICAL AND SOCIO-CULTURAL FEATURES OF THE DEVELOPMENT OF VIOLIN ART IN CHINA Violin in China, Sinification, Ma Sicong, Cultural revolution, violin art in China, violin training in China
- CURRENT PROBLEMS OF DOMESTIC MUSIC THERAPY music therapy, children with disabilities, habilitation, habilitation pedagogy, A.I. Borozdin Center in Novosibirsk
- “STAGE MOVEMENT” IN THE SCHOOL THEATER: PROBLEMS AND OPPORTUNITIES Key words: schooltheater, actor, stage movement, plasticity, exercise, age psycho-physical abilities
- FOLK SONGS OF SHANDONG PROVINCE: A QUESTION OF GENRE TYPOLOGY Shandong folk songs, labor songs, language, short songs, mountain songs, song cycles
- INFERNAL TANGO: RETHINKING THE GENRE IN I. F. STRAVINSKY'S THE STORY OF A SOLDIER tango, I.F. Stravinsky, The Story of a Soldier, denunciation, generalisation through genre, Danse macabre, infernality, neoclassicism.
- ETHNOMODERNISM AS A NEW DIRECTION IN JEWELRY ART IN KAZAKHSTAN IN THE 21ST CENTURY jewelry art, ethnomodernism, Kazakhstan, 21st century, creativity, Serzhan Bashirov, Ilya Kazakov, Ikram Rafikov.
- ON THE QUESTION OF THE TRANSFORMATION OF THE NATIONAL CHARACTER OF THE CHINESE IN THE ERA OF THE REALIZATION OF THE CONCEPT OF THE "CHINESE DREAM" the concept of the "Chinese Dream", Chinese science fiction, national character.
- THE "ONE BELT, ONE ROAD" INITIATIVE AS A MECHANISM FOR THE FORMATION OF CHINESE NATIONAL IDENTITY The Chinese initiative, the construction of national identity, China
