Edition No.41/1

28.09.2018

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CHAMBER INSTRUMENTAL SONATA OF KAZAKH COMPOSERS: EVOLUTION AND STYLE FEATURES chamber-instrumental sonata, sonata form, Kazakh composers, national originality.
CHILDREN’S SCHOOLS OF ARTS IN THE RUSSIAN FEDERATION: MODERN STATUS AND PROSPECTS OF DEVELOPMENT children’s art schools, gifted children, quality of education, preparation of creative personnel, preprofessional progra ms, musical art.
WAYS OF ADAPTATIONS OF CULTURE TO СHANGES IN THE NATURAL ENVIRONMENT culture, ecology, adaptation, resources, subsistence.
STYLISTIC TECHNIQUES FOR CREATING AN IMAGE OF JANE EYRE IN THE MUSICAL OF KIM BREITBURG musical, heroine of the melodrama, feature image, stylistic tricks.
FOLK MUSIC ART OF THE SOUTH OF RUSSIA: FROM THE DEEPNESS OF THE CENTURIES TO THE MODERN SLAVIC WORLD traditional musical art of the South of Russia, folklore collectives of the Southern Russian region, ethnographic concerts, Slavic world, modern forms of broadcasting of folk songs.
TO THE QUESTION OF DEFINING THE “SINGING CULTURE” CONCEPT spiritual culture, music culture, singing culture, vocal culture, vocal art, singing, sound phenomenon, singing sound.
SOCIOCULTURAL CODES AS WORLDVIEW AND MENTAL MATRICES OF REGIONAL IDENTITY sociocultural codes, mental matrix, discourse of regional identity, Siberians, Russians, Jewish.
THE CHARACTERS OF F.M. DOSTOEVSKY THROUGH THE SKETCHES OF COSTUMES AND SET DESIGNS (BASED ON THE EXAMPLE OF EXHIBITS OF A.A. BAKHRUSHIN STATE CENTRAL THEATRE MUSEUM) literature, theatrical decorative art, costume sketches, set design, character, artist.
ROCK MUSIC AND ROCK CULTURE: ABOUT DEFINITIONS OF CONCEPTS rock culture, rock music, subculture, counterculture, socialization, style.
MODELS OF EDUCATIONAL PROGRAMS IN THE FIELD OF GRAPHIC DESIGN IN THE CONTEXT OF STANDARDIZATION OF PROFESSION AND EDUCATION educational programs, models of programs, parameters of programs, educational standards, professional standards, graphic design.
HUMANITARIZATION PROBLEMS OF HIGHER EDUCATION IN MODERN RUSSIA hybrid warfare, operations, hybrid operation, information revolution, virtual world.
CONCEPTUAL SPACE OF ACTOR’S VISUAL MEANS OF EXPRESSIVENESS modern drama theater, visual means of expressiveness of an actor, plasticity, dance.
MODERN BUDDHIST ICON IN THE ART OF NIKOLAY DUDKO AS AN EXAMPLE OF FOLLOWING THE CLASSICAL TIBETAN TRADITION Buddhism, Buddhist painting, thangka, the art of Buryatia, tradition, canon, museum collection, Sukachev Irkutsk Regional Art Museum.
IMPLICIT/INTERNAL PHILOSOPHY OF F.M. DOSTOEVSKY’S WORKS AND IT’S CORRELATION WITH THE LIFE ATTITUDE OF THE YOUNG PEOPLE IN THE XXI CENTURY philosophy in literary fi ction, needs of readers, fantastic, author’s concept.
THE SECOND SYMPHONY OF G. CHERNOV AS A PHENOMENON OF CHAMBER SYMPHONY Chernov, аnniversary, symphony, orchestra of folk instruments, composition, form, dramatic аrt, тexture.
BIRTH OF THE THEATRICAL LEGEND: TO HISTORY OF THE KHABAROVSK REGIONAL MUSICAL THEATRE musical theater, theater of the musical comedy, operetta theater, musical culture of the Far East, Khabarovsk Musical Theater, theatrical anniversary.
THE ROLE, IMPORTANCE, ACTUALITY OF THE SCHOOL MUSEUM IN THE SYSTEM OF EDUCATIONAL PROCESS OF RUSSIA AT THE BEGINNING OF THE 21ST CENTURY school museums, civil-patriotic education, moral education, research activities, local history, education system.
MORAL ASPECTS OF TERRORISM IN LIGHT OF THE BIBLICAL MAXIM methodology, terrorism, motivation, moral introspection, the moral crisis of civilization, the ethics of the Bible.
THE TOPICAL ISSUES OF CORPORATE CULTURE OF MODERN RUSSIAN HIGHER EDUCATIONAL INSTITUTION corporate culture, higher education institution, student, cultural environment, formation, corporate identity, cohesion, tradition, values.
PICTURE OF THE WORLD IN THE CENTRAL ASIAN YURTS ARCHITECTURE spiritual culture, religious practices, space, yurt, yurt-like architecture, world view, Tangrianism, Buddhism, Lamaism.
CULTURAL AND NATURAL LANDSCAPES OF MODERN CRIMEA: FEATURES AND TYPOLOGY natural landscape, cultural and natural landscape, typological features, typology of cultural and natural landscapes of the Crimea.
MODERN CONTROL METHODS THE EFFECTIVENESS OF TRAINING ACTIVITIES OF STUDENTS AND TEACHERS IN LEARNING DANCE DISCIPLINES control methods, results, formation, students, quality assessment, system, choreography, achievement.
THE IMAGE OF A NON-INTEGRITY PERSON IN THE CULTURE OF THE 19-20TH CENTURIES (FROM DOSTOYEVSKY TO NONCLASSICAL LYRICS) culture, era, the image of a non-integrity person, the poetics of modality, non-classical art, images of bodily objectifi cation.
LONG WHARF THEATRE, A NON-PROFIT THEATRE OF THE UNITED STATES Long Wharf, regional drama theaters, Erwin Brown, Yale Drama School, New Haven.
CRISIS OF AXIOSPHERE OF DOMESTIC CULTURE DURING PERESTROIKA AS “PRESENTIMENT” OF CIVIL WAR axiosphere of culture, value, perestroika, Post-Soviet, cultural science, history, sociological poll, synergetic system.
PRINCIPLES OF “NAPEVKA” FORMATION IN THE OLD BELIVERS’, LITURGICAL PRACTICE Russian Orthodox Old Believers Church, liturgical chants of Old Believers, melodic model, liturgical canon, napevkа.
THE ARISTOTLE’S APATHETIC THEOLOGY God, apophatic, the Divine Nous, the First Cause, Heaven, matter, cosmology, antinomy, dialectic, potency, infi nity, quantity, change.
SPACE AND ITS BORDERS IN THE “DESCRIPTION OF THE SELECTED VILLAGES” (T’AENGNIJI, 1751) BY LI CHUNG-HWAN Korea, Joseon, “Description of the Selected Villages,” “T’aengniji”, Li Chung-Hwan, sacred geography, cultural space.
DIALOGUE OF CULTURES THROUGH CREATIVITY: PAINTING OF CHINESE MASTERS WHO WERE PUPILS OF RUSSIAN ARTISTS-EMIGRANTS IN CHINA IN THE 20TH CENTURY dialogue of cultures, Han Jingsheng, Sun Yuntai, Gao Mang, Wang Tongzhen, Russian artistsemigrants, fi ne arts.
CULTURAL HERITAGE IN THE LIGHT OF MODERN HUMANITARIAN APPROACHES heritage, memory, cultural heritage, cultural memory, humanitarian approaches.

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